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Milestones

I’m about to turn 30.

My first instinct was to write everyone I know that lives on the east coast and invite them to a party that celebrates all things Mattie…. and then I realized that I had that party a few months ago.

When I left Portland my dearest friends threw me an amazing going away party. There was chamber music, speeches, baby ketten karaoke, and lots of general waypost-cocktail-induced merriment.

For the last week I’ve been reflecting on milestones and how we celebrate them. We throw huge birthday and new year’s eve parties, but how often do our lives actually change in those moments?

The milestones happen in-between birthdays.

I knew I had to do something huge before I turned 30. I knew I had to move to NYC. And now that I’m here, turning 30 just feels like another Sunday with homemade enchiladas.

But leaving Portland, leaving my best friends and family, changing careers, and going off into the unknown with everyone’s blessings… that is a celebration far more meaningful than a birthday bash!

Some of my favorite moments included…

PAYBACK. My mother demanded that I perform Bach at my own party, so I got her back by demanding that she sing Bruce Springsteen’s “Born to Run” for her karaoke debut.

 

TOASTS. The “fearless leader” elect – Christopher Corbell – put the whole bash together and started off the speeches.

 

SINGING & DANCING. The Dalcroze dorks got down to Bon Jovi’s “You Give Love a Bad Name”.

(click here the entire photo set, taken by the very talented Gary Stallsworth)

 

HEART-SHATTERINGLY-CREATIVE GIFTS. Like this amazing painting by my violin student, Alysse Kerr.

 

And the song “Our Hearts Belong to Mattie”  that Toby Loftus created and performed with Gulchin Tarabus. (while the assemblage sang along)

 

Oh Portland, if you think the homesickness hasn’t kicked in yet, you are beyond mistaken. I love and miss you. Thanks for throwing me such a great party!!! I’m loving my new life in New York and have settled in with all of the confidence that YOU gave me.

And you, New York City, I’m turning 30 on Sunday and you are most welcome to come over for homemade enchiladas.

Mattie

Lists

This week I started my new job as Program & Travel associate at Opus 3 Artists. There has been a lot to learn and to adapt to in a very short period of time, including the following concepts:

Rush hour
Clocking in
Cubicles
Business Casual
Department Meetings
Windows Software
Casual Fridays
Payday
Weekends (SO EXCITING!)

Which you all know, is not exactly how I roll — but amazingly, I love it. Because my job is to assist the following world-class artists with their program and travel logistics:

Adele Anthony
Brooklyn Rider
Renaud Capucon
Hung-Kuan Chen
Barry Douglas
James Ehnes
Vilde Frang
Miriam Fried
Kahan Kalhor
Gidon Kremer
Kuok-Wai Lio
Gabriela Montero
Peng-Peng Gong
Gil Shaham
Kyoko Takezawa
Daniil Trifonov
Krystian Zimerman
Itamar Zorman
Vienna Boys Choir

Say, for instance, you’re going to check out James Ehnes with the Oregon Symphony next weekend, you can know that I coordinated a concise itinerary for James to help make that happen. There’s so much going on behind the scenes to make sure an amazing artist can just do his/her thing — now get out there and support them!

Mattie

Success I am wooing

I had a blast mentoring students as part of being the Entrepreneur-in-Residence for Project Jumpstart at the Indiana University Jacobs School of Music last week.

One student, Malcom Cooper, has a talent for crafting poems on the spot based on random words. He wanted to create one for me so I gave him the following guidelines,

Words: Critic, Pigeons, Guidance, Afro

Topic: Transitions

Mood: Ecstatic

Within five minutes he recited my poem….

Moving and hustling
In a city so bustling
Taking guidance from signposts
Gliding on to feel fed

Contentment is cooing but
Success I am wooing and
Dangerous complacency
Going out of my head

With pigeons around me
No critics to confound me
I look up and above
Finding clear skies ahead

Like an Afro on Marley
I feel hearty like barley
Sitting here as I pause, peer
And worries I shed

—-

And all I could do was clap with glee. Oh, hello there NYC!!

Mattie

Arab Spring in Chicago

“Every person is a potential audience member, every space is a potential venue. With that mentality there are not enough musicians to go around.” 

Allie Deaver-Petchenik, Classical Revolution Chicago

Allie and I spent most of last week together at IU and gearing up for the Arab Spring concert at Classical Revolution Chicago. Allie is an amazing musician, organizer, and caretaker.  (as I learned while I was trying to die from the stomach flu) Allie organized a concert  featuring the music of young composers and musicians from Egypt and Tunisia who witnessed the revolutionary events known as “The Arab Spring” first hand. I had a blast getting to know “The Egyptians” as we fondly referred to them, Ahmed Hossam El-Din Derbala and Nour Ashour, who were visiting America for the first time.

Here’s a video of all of us performing the traditional ”Lounga Nahawand” during the Arab Spring concert. I managed to forget that I had stomach flu long enough to stumble up to the stage for a solo, enjoy!

Mattie

I ♥ Dalcroze!

“How about Thursday?”

“Yes, let’s all get together Thursday.”

“Great, oh look! It’s Valentine’s Day!”

“Awwwww, I heart Dalcroze.”

 

And thus the Dalcroze dorks found themselves joined by *Dalcroze Joe to celebrate “I heart Dalcroze” day.

Today we revisited a lecture by Stephen Neely about pendulums. Here’s where I might start to lose you, so check out this video where he explains how in Eurhythmics we “develop physical models that we hope we can use to parallel the artistic experience.”

We played around with the model of a pendulum, and then decided to do a movement and piano improv based on that idea.

And it wouldn’t be a complete dalcroze date without doing a little bit of the Painting Project…

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‘Untitled’ by Mattie Kaiser

 

And the greatest thing about the internet is that we don’t have to be in the same room to interact! Here’s a painting made by Aaron Butler in NYC, performed by Jessica Schaeffer in Ukiah, California!

"grass green two loop and dash" by Aaron Butler

“Grass Green Two Loop and Dash” by Aaron Butler

 

Happy “I ♥ Dalcroze” day, and here’s to many more celebrations to come!

Mattie

 

* We’ve given ourselves nicknames, because we’re dorks:

Gulchin Tarabus is… Anna Grusis

Mattie Kaiser is…. Maxent

Joe Klause is…. Dalcroze Joe

Jessica Scaeffer is… Jemiola

and

Aaron Butler is… The Professor

 

The Painting Project – Live at the Waypost

The Dalcroze Dorks decided that since we had so much fun doing the painting project together, we would try to do a live version at the Classical Revolution PDX chamber jam. We asked an audience volunteer to create a painting, then we would do a four hands piano improvisation based on that painting.

"Untitled" by Amy Vaillancourt-Sals

“Untitled” by Amy Vaillancourt-Sals

Gulchin and I were NOT expecting company on our improv, but seemingly out of thin air we were joined by violinist Terry Hsu, and soprano Flora Sussely – watch the wonderful results!

Have you tried the painting project yet?

Mattie

JOACWBEASL

When an acquaintance asked me why I wanted to move to New York City I shrugged, responded “personal growth”, and chuckled as if it were meaningless.

“Personal growth? Well, that’s as big of a reason as any.”

It takes a lot of courage to break down the empire for the sake of growing. I’ve always admired people who have done it, even when they are madly in love with Portland. My friend Brian Benson once referred to Portland as ‘the treadmill of awesome.’ – Brian made the leap, dedicated himself to his writing, and is now going to be published!

Another friend, a country singer/songwriter decided he had to move to Nashville in order to make his dreams happen. Travis Dow was one of my favorite Portland friends, and while I was sorry to see him go, I knew he was talented enough to make it in Nashville.

Last November, Travis died after a short and intense battle with Burkitt’s Lymphoma. It was shocking, and one of the saddest things that I’ve ever personally experienced. To express anything further, I have to turn to the words of his wife, Katie Radebaugh Dow:

“It is no secret that he was a staggeringly courageous in his battle with cancer, but it is my hope that you will all know that he lived every day of his life with that admirable conviction and courage. He gave every ounce of himself to living, loving and creating with passion.

He said that his music was his greatest legacy, but I know that it is much more than that. In honor of him, I hope that we will all consider living each day more intentionally, with passion for our dreams and those we love. Don’t let the moments pass you by – embrace those you love fully, give love courageously, honor the gift of life and breathe beauty into each day. He did.”

It’s in Travis’s honor that I go. It’s in his honor that I dedicate myself to growing, to getting off the treadmill of awesome and pursuing what’s next.

THANK YOU for your support and encouragement. If you’re in Portland I’m going to miss the shit out of you, and if you’re in New York I’ll see you soon!!

Mattie

 

PS – The title refers to a wonderful oil my friend Cheryl gave to me last summer. The letters stand for “Jump Off A Cliff While Being Encouraged And Safe Landing”.

 

travis

Al, Travis and Mattie – Epic Timberline Adventure – March 2010

the big news!

(PORTLAND, Ore.) Dan Rasay, chair of the board of Classical Revolution PDX announced today that the board has appointed Christopher Corbell to the position of executive director, effective April 1st. Mattie Kaiser founder and previous executive director is assuming position of artistic director.

In his announcement Rasay said: “We’re excited to have Christopher to build upon Mattie Kaiser’s hard work to get Classical Revolution PDX designated as a 501(c)3 non-profit organization. Mattie will be assuming the role of artistic director and shifting her focus to help spread the Classical Revolution mission nation-wide.”

Corbell said, “Since I began working with Classical Revolution PDX over two years ago as a participating musician and active volunteer I’ve seen amazing things happen. Bringing chamber music to listeners outside the traditional classical fold, encouraging local performers and composers to engage and participate, and finding new, unexpected venues for this music are all aspects of a mission I believe in deeply. I am grateful for the opportunity to continue Mattie Kaiser’s work, and I look forward to developing this organization’s unique and essential place in the Portland arts community.”

Kaiser adds, “It’s been six years since I founded Classical Revolution PDX and am I full of pride at what it has become. What started as a craigslist ad and handful of friends is now a fully functional nonprofit organization that boasts the involvement of over 300 musicians and produces more than 30 performances a year. I am profoundly optimistic about our future and am happy to pass the role of Executive Director on to Christopher. As Artistic Director, I will actively funnel as many great ideas as I can to the organization to ensure that always on the cutting edge of innovative chamber music programming.”

With the generous support of the Regional Arts & Culture Council (RACC) Classical Revolution PDX is presenting The Composer Project 2013 in March. This week long workshop gives aspiring local composers the opportunity to learn from professional composers, artists and producers. The workshop culminates with a String Quartet Competition at the Community Music Center on Sunday March 10th @ 7pm.

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Introducing the Dalcroze Dorks!

I watch a lot of A Show With Ze Frank. The magic about Ze’s show is that he has found ways to get his audience to actively connect with him and each other though games that he creates. And even though the show is online, it manages to be inviting, interactive and fun!

Dalcroze Eurhythmics could use a little help from Ze Frank…while it’s inviting and absolutely delightful once you actually get yourself in a classroom, in general, this form of music education is having a very difficult time creating and maintaining a presence within our 21st century lifestyle.

I bring you… *The Dalcroze Dorks!
(*This name is tongue in cheek, please don’t be offended. We love Dalcroze Eurhythmics, and our goal is to cheerfully spread the word.)

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Gulchin Tarabas and I got together last Friday night to go over some Dalcroze inspired piano improv activities. I showed her some paintings from my iPad, and we went nuts with it.

We’d like to invite you to take part in The Painting Project.

1) Upload a painting. (make it yourself, or find an old favorite. I highly recommend this iPad app called Paper.)

2) Send to a friend. They record an improv based on the painting.

3) Upload the video, and pass it on!

The first piece is based on a painting I made called “View from the Dock” – My favorite moment of this video comes at 58 seconds when I give Gulchin my ‘concerned citizen’ look… there was definitely a battle taking place of whether this piece was going to be dark and murky, or bright and sunny.

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——-

We decided to try Aaron’s painting since we wouldn’t have the invested interest in the creation of the painting, we could only respond musically to what we were seeing.

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What kind of music can you create based on a painting? Try it out yourself!

Mattie

Keep Walking

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I’m addicted to challenges.

Last fall I decided I needed a real challenge – not a race to see how many emails I could write in three hours – but an actual physical/mental/emotional challenge. I decided to backpack 100 miles along the coast of Wales.

Backpacking is a test of endurance not only for the body, but for the mind. The mind is either your best friend, or your worst enemy, and in either case it becomes very simple and clear.

I ended up with two mantras that looped endlessly as I went up and down the cliffs along the coast:

1) It’s just pain. (pain is just a sensation)
2) It’s fun!

By the end of the trip, I was exhausted beyond belief, but also felt like I could do anything.

The day after I finished my ‘walk’ I headed up to Classical Revolution Manchester for a show. I was planning on playing a string quintet with their local musicians, but as the rain from the worst September storm to hit the UK in the last thirty years poured down, the string players bailed on the outdoor show. I was handed what they called ‘the charity viola’ and shown into a room to warmup.

There was only one option: Bach.

As I warmed up and pulled the notes from the G Major Cello Suite from the back of my head I realized how effective my mantras were for performing Bach….

It’s just pain – Mr. Bach exposes all of your weaknesses, no matter how technically or musically strong you are, there is something in his music that will kick your ass.

It’s fun! – The reward is the self satisfaction that comes from being able to pull off one of his pieces with conviction. And just like backpacking, after you perform Bach the way you hear it in your head, you feel like you can play anything.

Last week we had our 6th Annual Bachxing Day celebration at the Someday Lounge. I could not have been more proud of all of the musicians who stepped up to the challenge of publicly performing Bach. Here is the SF Classical Voice review of the show.

Bach is endlessly challenging. Just like the walk I took, there isn’t a definite starting or ending point. There will always be something more you can do with his music, and though that challenge can be painful, I can’t think of any challenge that is more delightful.

Mattie